You can use the pedal before or after distortion. As such, it will work exceptionally well on clean sounds where requirements are less stringent, especially in terms of echo bandwidth and repeat formation. The delay tone has been carefully tuned with a lot of attention to the first critical reflection and how the repeats decay.
Deep Blue Delay is kept small (Width x Length x Height: 69mm x 111mm x 50mm including jacks and knobs) containing just the basic delay features; Delay Time, Delay Level and Repeat controls. It was designed to work as an ambiance delay; like that of a vintage tape echo and the repeat, the formation was specifically designed to allow easy setting and less critical setting of delay time. With delay times higher than 120ms, the delay time is sometimes set on the beat or on a multiple of the beat. Deep blue handles this by not giving full range repeats, but a tuned response that doesn't need to be on the beat to sound good.
Why digital? Isn’t Analog better for a solid-state solution?
Well, in many ways, the delay medium is less critical and it could be an oil-drum, tape, metal-thread, analog BBD or digital, but the final sound is always set by the limitations of the delay medium and the peripheral circuitry needed to make either work. We chose Digital construction to make it compact, stable, with reasonable delay time and virtually service free, where the limitations of the circuit would be less critical. As an outcome, you can set the peripheral circuitry with desired bandwidth and distortion levels with less consideration on the exact limits of the delay medium, while of course always pushing the limits, as with anything musical.
A similar circuit in analog form would be excessively more expensive to make. For the same performance, it would require three to four of the best BBD chips now only available as vintage parts and the size of the pedal would have to be about three times the current size.
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